julia mejnertsen

a little bit about the work - highway 202 to karatsu

Added on by hulu_jay.

itoshima, fukuoka, japan

impressions of the middle of nowhere.

i came to itoshima after having been working in tokyo on the project search for me in plain sight. i thought i would continue that work here, but with a rural spin. the people out in itoshima surely must also experience loneliness. maybe they do, but the fact is that i haven't seen it. i haven't seen the lonesome pensive moments undisturbed by nothing or no one. when i came here a month ago, it was so hot and humid that by the time it was 10 o'clock in the morning nobody was to be seen anywhere. come night time it got so dark that i guess nobody ventured outside either (unless they were in a car). hence, the setting didn't really invite a continuation of the project from tokyo, which i had originally thought it would. from my own point of view however, the loneliness, silence and melancholy was ever present.

the days went by. i didn't move outside the aircon during the day, and while still HOT at night, it had cooled down slightly. so come nighttime i went to the street. i live right next to the highway 202 that runs to karatsu - it's a fairly busy road and it's the only thing that divides me from the kilometers of rice fields that stretch out on the opposite side. in the back of my house is where the mountain and forrest begin and beyond there is the ocean. while there is not a lot of artificial light sources out here at night, besides a few street lights on the road, the cars and truck continually running through on the 202 create quite a good light source that i thought i might be able to use. also i hadn't quite found the courage to venture too far into the darkness, and thus the hunt for motives around the 202 began. the project of portraying the area around highway 202 to karatsu was born.  

since then i have taken loads of pictures, but the premise remains the same. i shoot at night time, not any longer out of necessity, as it has cooled down since then, but rather to get that uncanny, sort of lonesome feeling that i love, and that i felt when i just arrived. and still feel at times. further i have included the farmers as characters in the series. they are to me mysterious creatures, because i see them in the middle of their fields completely covered in hats, gloves and what not to avoid the sun. i never see a face, because of the big shaded hats and because they are always bent over rummaging through the dirt. to me they are anonymous creatures, but so ever present in the vast landscape, even when they are not in it physically.